August 31, 2009

Vendor Spotlight: Provocraft Yudu

Reported by Julia Stainton

Every once in a while, a manufacturer in the crafting industry creates a totally unique product that makes everyone sit up and take notice. The Yudu is one of these cool new products, and this innovation comes from Provo Craft. Now that's a company we're all familiar with!

When this cool product hit the Winter 2009 CHA show, I followed the links, watched the videos and basically said...wow. Wish I could try. My wishes came true and I'm really excited to be able to review this product for Craft Critique.

If you've been living under a crafting rock (wink) and just haven't heard about the Yudu, it's a personal screen print machine that will screen print onto fabric and other media. Have you ever want to personalize your own clothing or loved the look of screen printed paper? This may be a product you'll want to try out.

The Yudu arrived on my doorstep when I totally wasn't expecting it. I was actually away on vacation but had happened to drive back into the city to finish up some work I just did not have time to do before I left. I couldn't believe how heavy this huge box was. This is not a mini machine; you'll need some serious space to store it. If you're looking for specs...it measures 27" x 18" x 7". I tucked mine into the corner of the dining room and waited for a chance to play. My Yudu came well-packed and almost everything I needed to get started was included in it. I love products that come ready for use!

What's in the Box?
  • Yudu machine
  • adult t-shirt platen (holds your fabric firmly in place)
  • blank ink-jet transparency
  • 110-mesh screen
  • squeegee
  • 2 fl oz black ink
  • Platen adhesive sheet (extra sheet for future use)
  • instructional DVD
  • quick start guide
  • emulsion sheet


what you still need
  • electrical outlet
  • water source
  • sponge for cleaning screen
  • emulsion remover to create a second project
  • emulsion sheets for future projects
  • clear tape to tape down sides of screen
  • colored ink if desired
  • iron for heat setting if item is to be washed
  • weight to hold down top while exposing image
  • baby wipes or rags for cleanup
Now what you probably really want to know is exactly how this whole thing works. What exactly is screen printing? Here's the definition from Wikipedia:

Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink as a sharp-edged image onto a substrate. A roller or squeegee is moved across the screen stencil, forcing or pumping ink past the threads of the woven mesh in the open areas.

Screen printing is also a stencil method of print making in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. It is also known as "silk screening" or "serigraphy".

When silk screening with the Yudu, an emulsion sheet is pressed into the silk screen and allowed to dry. The Yudu comes with a great drying rack built right into the machine. You simply open the little door on the front lower edge of the Yudu and slide the silk screen frame into the rack and hit the fan button. You may need to press the fan button a few times depending on the humidity of your climate, the temperature of your work area and the dampness of the screen. I found you really needed closer to an hour to dry mine properly. The good news...there are two racks so that you can do two at once.

Once the silk screens are dry, you lay your completed transparency design on the glass light bed, cover with screen, then felt side of platen. Add weight to prevent side light from coming in, and press the exposure button. After the 8 minutes has passed, spray and lightly scrub your screen with cool water to remove green emulsion from the design area. Dry screen.

Next the really fun part. Put screen on top of lid. Mount fabric onto platen and place it in the machine. Lift screen and flood with ink. Lower lid onto fabric, and press squeegee with ink across screen. Allow to dry.

Lastly, if you plan on washing your project, make sure you heat set with an iron. You're done!


I have to admit, it took me a few weeks to get up the courage to use the Yudu machine. I'm not too sure why I found it so intimidating, and now that I finally made myself figure it out, it's really NOT that hard at all! It's fun!

Perhaps it was the time spent getting to the actual printing process that intimidated me. It does take some time, but I found the actual steps really did not take that long. While the screens were drying, it was easy to go about my day or evening cleaning up after dinner, throwing in some laundry, or my favorite, sitting at the computer designing another project. My greatest frustration was getting that emulsion on properly. Once I got that figured out, things went much better. I found that to get enough water on the screen, I laid it across my kitchen sink and then spread water across the surface with my hands. This kept the water from draining off and got that emulsion in better.

The other frustration I faced with the Yudu is choosing designs that were too fine in detail to print well. Once I figured out the parameters of what images I could use and those I couldn't, things worked much better. The most important thing I learned from my experiences is to use some test fabric when screen printing your first image so that you don't ruin a t-shirt if it's not going to print right. The second most important thing... like most crafts, screen printing has a learning curve. Don't expect perfection the first time. You need practice. As the saying goes...it always makes perfect.






Creating an Image - There are many ways you can create an image to burn into the emulsion. Provocraft markets their own extremely easy to use pre-printed transparencies to go along with the Yudu. These transparency packs contain 6 trendy designs that you can immediately use to create your own shirt. This makes it extremely easy to get started and there is no designing involved.

I'm assuming though, that if you're really wanting to use this machine, you want the Yudu because you WANT to DO. You want to design and create it yourself. It's a form of self-expression. The Yudu comes with a blank transparency that is specially formatted for use in an ink jet printer and the Yudu machine. Provocraft says that you can use your own ink jet transparencies but to use theirs for a crisper image. I took their word for it, but if you've played around with this, I'd love to hear what you have to say.

Basically the sky is pretty much the limit with this method of creating an image. You're only limited by your computer software and of course, your computer skills. Basic text is easily created in a word processing program, but you can also step it up by using a photo editing program like Photoshop Elements to create your own image. Try printing a black and white photo, a clip-art graphic, or create your own graphic image. If you prefer, draw an image on paper and scan into the computer, then print. One really great resource for fabulous art is digital stamps or digital scrapbooking elements. Make sure you check the Terms of Use on them first to make sure you can use them for crafting use. ESPECIALLY if you plan on selling the finished piece.

When creating your own image on the computer, you also need to bear in mind that the file needs to be in black and white. BLACK & WHITE. No shades of gray. If you do want to create a multi-color image, it is possible but it is definitely an intermediate or advanced technique. You'll need a separate screen for EACH color, be able to line them up with registration marks, and allow for dry time in between. It just wasn't something I wanted to tackle right away. Perhaps after a little more practice. Okay. A LOT more practice.


I'm not sure why, but I always tend to go right for the tough designs to try out first. I'm a sucker for punishment I guess! The main thing I quickly found out was that the more detail on your image, the harder they are to screen print well. I love using fine lines but I found that when creating a file at 300 dpi, you really need to make sure that your lines are minimum 10 ppi. Even if you do get the lines to burn out, you don't have a guarantee that the ink won't clog the lines making them unprintable.

Besides computer-generation, there are a few other ways to create your design. If you like to draw freehand, you can simply draw your design right onto a transparency with a permanent marker. This is one technique that I wasn't brave enough to try, but I think you could make some really cool doodle-style designs this way. Another way to make a design for exposing the emulsion is to layer a mask onto a transparency. There are quite a few mask products on the market right now that would make beautiful transfers. Think Heidi Swapp and Tim Holtz. If you've been looking for another way to use your die cut machine, this is it. Cut out your image from solid black cardstock using a die cut machine or an electronic paper cutter. Adhere to a transparency (any kind will do in this case) and then expose the emulsion.


prepared silk screen after design is exposed on emulsion and cleaned

In this day of internet, it's a really small world and you can find information in so many places. If you're looking for more information about the Yudu, Provo Craft has a site, www.whatdoyudu.com, that has lots of great information. Samples, videos, tutorials, a link to download the full manual, and an entire list of all the available Yudu product line. This is also a great place for support as you can e-mail your questions direct from here.

On my quick start guide, I also found a link to www.unsilenceyourself.com . There you find the Yudu promotional videos; they've done a really creative job with them. The site is supposed to have an on-line community where you can watch videos - check, share creative ideas - not there yet and download free artwork - nada. I'm hoping Provo Craft follows through on this site and soon. I think it would be a fabulous inspirational place. There are a couple on-line user groups that you can join that have no affiliation to Provo Craft. Check out the yudu machine group at Yahoo Groups and YuduForums. I find the crafting community is very helpful and if you've got a question, you'll probably get it answered.

What I tried...

T-shirts: T-shirts are a no-brainer for this product. Just think of all the cool things you can say with them. This machine worked really well in printing on the knit fabric. I suggest you leave the knit fabric on the platten to dry as the knit can stretch when you are taking it off.

Woven Fabric: I tried screen printing a few different woven fabrics with the YuDu. They worked really well. You get a great image, especially on the finer woven fabrics.

Felt: I had limited success screen-printing onto the felt. I think my image was just too detailed. I'd like to try out this fabric again when a bolder image to see what happened.

Cardstock: Cardstock is super fun to print on! I loved the screen printed look. Now why would you screen print when you can just run paper through the printer? You can see and feel the difference. I just love the thin layer of opaque paint as it gives it a really unique look. You can also screen print on dark paper with a light color and have it show up. Something you cannot do with a printer. Wouldn't hand silk screen invitations be uber cool for a special event?

Paper Bags: I was really impressed with how well the kraft paper gift bags screen printed. These would make fabulous gift bags for birthdays or holidays and if you had your own little boutique...these would be so cool!

Sticky Back Canvas: A super cool idea for your scrapbooking projects

Blending Inks: I added two different inks to the screen and then pulled them across to get a multi-inked look without using two different screens. This was super easy and fun to do and gave a great unique look.

Light Desk: The YuDu has a glass top with a light in it. Try using it for some of your other crafting needs such as embossing.


Pros:
  • cool new product that allows you do wear your art
  • you can screen print paper as well as fabric
  • The machine may look intimidating but it's really not that difficult when you follow the directions...it's well-engineered and user-friendly
  • very little mess
  • Screens can be used over and over for different designs.
  • Great selection of ink colors to choose from. I especially love the metallics!
  • Inks are biodegradable and can be washed down the sink.

Cons:
  • Cost...this is an expensive hobby...mostly in initial product cost but the emulsion sheets need to be replaced with each new design
  • Time-consuming to create a project
  • I just could not get the screen prints to come out as well as the Michael's sample t-shirt for the YUDU. Were each of these hand-printed or am I doing something wrong?
  • There's not a huge source of on-line help available at this time

I'm looking forward to playing more with this very cool product. I know that I've barely just scratched the surface on what you can do. I love the fact that this machine can be used by beginners, but there is also so many techniques and ideas for more advanced skill levels. I'm looking forward to trying to screen print wood, some canvas wall-art and I definitely want to try a multi-ink print using layers of screens.

I'd rate the yudu as an 8 out of 10. I love mine, it's just that cost factor that may make it difficult for many crafters to afford. At a MSRP of $299.99 US or $400.oo Canadian, the initial investment can be hard to rationalize.

Tips for Success - I thought I'd leave you with a few tips for success.
  1. Get that emulsion film on there well or you'll be disappointed with the end result. Use lots of water, press well and dry thoroughly.
  2. Keep unused emulsion films away from the light as they are light sensitive.
  3. Use bold graphic images for the best results.
  4. If using a finer image, use less time on the exposure settings.
  5. Don't rush!
  6. Buy the Yudu Blockout. Trust me. You need this. It fixes any spots where the emulsion may have been compromised. I'm madly tracking some down as I know it will end a lot of my headaches.
  7. Use plenty of ink and squeegee the screen slowly and firmly while being careful not to gouge the emulsion.
  8. If you're creating with smaller designs, you can put at least two, maybe even more, on top one transparency and then emulsion sheet. I put one image up and the other upside down so that I just have to turn my screen around and then the other design is in place.
  9. Practice, practice, practice! Buy some inexpensive fabric to practice on before trying it on apparel. You'll be happy you did.

So...what can you do with a Yudu? You can have a whole LOT of fun with it! Make t-shirts, home decor pieces, screen print paper. If you can dream it up, you can print it out. Have you tried out the Yudu? If so what do you think? If you haven't...is the Yudu something you might consider? What would YOU do with a Yudu?

August 28, 2009

Dritz Magnetic Seam Guide

Reported by Susie Ziegler

Last summer I got my daughter a new adorable sewing machine and hoped she would develop a new love of sewing. To go with her machine, I thought it would be important to get a basket of nice tools since using good tools helps ward off frustrations. I saw this Magnetic Seam Guide by Dritz in the notions department of my local sewing store. If you haven't noticed, Dritz dominates the notions department with tools like snaps, fasteners, pins, grommets, elastics, virtually anything you might think you need for sewing. Even though I am satisfied that I know how to keep an accurate seam and don't think I need this tool, I thought it would help out my young daughter to maintain her seam allowances.

Dritz recommends that you use the Magnetic Seam Guide to stitch even seams, tucks, and pleats without marking. It turns out you are not supposed to use this magnetic tool with computerized sewing machines. This seemed goofy to me, since I have other magnetic things like a magnetic pincushion near my machine with no difficulties. I tried it:


The Magnetic Seam Guide won't stay put! I think the little needle plate on my fancy-pants machine is too small for the magnet to take hold because the seam guide goes right for the sewing foot. Daughter has a standard, non-computerized machine with a much larger needle plate, so I tried it there:


Much sturdier! I can put it way up high along the sewing foot, or right here ahead of it. I think way down in front in anticipation of the needle is better. You might feel differently.

Never fear small needle plate, drop-in bobbin, sewing machine owners. There is a solution for you! Find some post-its and stick a short stack of them where you need it to get the perfect seam allowance you desire:


Okay, but we are testing out the Dritz Magnetic Seam Guide. My daughter got frustrated with the post-its when I did this with her. She reports that the Magnetic Seam Guide really helps her to keep her fabric lined up. The needle plate on her machine has a lot of lines and grooves and it is very confusing for her. I noticed that at first, the Magnetic Seam Guide slid around under her clumsy fingers (she was only 8 when we first used this tool). Now that her fingers know better what to do, it works much better for her.


You do not need to be 8 years old to find accurate seams to be intimidating! The Dritz Magnetic Seam Guide really does help. You can also use this handy tool for making pleats. I'll consider that on some other project.

Pros:
  • Very easy to use and understand
  • Mady of sturdy, durable metal
  • Will fit into the little tool basket that came with your sewing machine, or you can store it right on your needleplate
Cons:
  • Does not fit all sewing machine needle plates
  • Magnet does slide around a bit. I imagine this problem gets worse with age.
  • The price seems worth it, but costs add up when you are stocking up on beginning sewing supplies.
I found The Dritz Magnetic Seam Guide for about $5.00 at my sewing store. We'd love to know if you've had any luck with this seam guide. What other beginning tools have you found essential?

August 27, 2009

Giveaway winners galore!


The winner of the Strands book giveaway is:

primdollie said...
what an innovative concept reusing and recycling things to create new fabrics etc! This is right down my alley! I love to be different, as well as create unique usable things!! thanks for the review I would love this book!! linda
12:19 PM


And the Butterfly Project, Kitchen Sink Stamps winner is:

Mariah Oliveira said...
What a great project and I am happy to be involved in it. Here is my butterfly I will be sending into you.http://originalsbyoliveira.com/blog/?p=352Great butterfly stamp set.Thank you.Mariah Oliveira
2:46 PM


And we never heard from the following winners, you have until Saturday to contact us or we will be drawing a new winner:

The winner of the Lizzie Anne Designs stamp set is:
Keely Yowler said...
Fabulous giveaway! I am in love with your stamps!

The winner of the Fiskars gift pack is:
Scrapalooza said...
How fun!!! Sounds like a great time .


Please send an email with your name and address to melissa@craftcritique.com to claim your prize.

August 26, 2009

Avery Fabric Transfers: A Better Iron-on Transfer?

Reported by Lexi Daly

Earlier this summer, I reviewed Wilton T-shirt Transfers, sharing a variety of ideas for creating fun personalized t-shirts. Although I had success with the Wilton product, I encountered a few frustrations that made me want to test another brand. The Avery Fabric Transfers caught my eye since I use a variety of their other printable products on an almost daily basis. Like Wilton, Avery offers printable transfers for a variety of fabric styles--light, dark, and stretchable. Both brands are created specifically for use in ink jet printers, and can be stamped and colored on as well. They also both include online templates and ideas. Avery Fabric Transfers can be found in office supply stores with other specialty printables, while the Wilton brand is typically found in craft stores. The last few times I was creating personalized T's, I found myself in the craft store and ended up with the Wilton brand. So, for today's review, I decided to reprint and transfer a couple of those same designs using the Avery Light Fabric Transfers and see if I noticed a difference.

This picture shows the printed and cut transfers (remember that when you are printing a design with words on this style transfer, you have to reverse the image so the words will transfer properly!) Right off the bat, I noticed how bright the colors were on the printed pages. I also created one stamped design--the little cupcake from A Muse--for a small doll t-shirt. It is important to note that when coloring stamped images on iron-on transfer paper (Avery or otherwise), you should use water based markers, not Copics, which will eat away at the transfer.

Next, it was on to the ironing. The instructions are very clear and easy to follow, including "Tips for Great, Long-Lasting Results" on the reverse side. The process isn't much different from the Wilton transfers. I highly recommend following the directions closely, creating a tester transfer in order to get to know your own iron specifically. Regardless of brand, I almost always overheat my first attempt if I follow the exact time frames in the directions. My first Avery test was no different, however the end result wasn't ruined like my initial attempts with Wilton when creating the original party T's last spring.

There is a slight yellow color within the design, but the paper still peeled off nicely, leaving no gaps behind. Actually, you can hardly tell from the picture that it's not perfect! After this one, I held the iron in place for slightly less than 20 seconds each pass, with excellent results...



I was especially impressed with how the stamped and colored design turned out. Although it was a little awkward trying to press the tiny little t-shirt, the cupcake transferred very nicely and brightly. I need to go out a buy another regular sized t-shirt, so I can try a larger design! (Again, I want to point out that you won't be able to stamp words on this style transfer--unless you want them to be in reverse!!)

So, to sum things up...

Pros:
  • Very easy to use
  • Not just for printing
  • True color representation--nice & bright!
  • Perfect for personalization
Cons:
  • Can over-iron--be sure to test your iron for the best results!

Overall, I was really happy with the Avery Fabric Transfers on the finished t-shirts. They seemed to work more smoothly and look much brighter than the ones I created earlier this year. I definitely ended this t-shirt creating day a lot less frustrated than the last. I would love to hear if you've had similar experiences or if you think it's all a simple case of user error. Have you tried both? Do you have a favorite brand? Leave a comment and let me know what you think!

August 25, 2009

Sparkly Fluff by Our Craft Lounge

Reported by Beth Silaika



This past year, the paper crafting world became a little softer, fuzzier and a little more sparkly when Our Craft Lounge launched a new product called Sparkly Fluff. This product is similar to flock, but it has the added benefit of being glittery.

Sparkly Fluff is one of those products which will give your projects that wow factor! The product does stay true to it's name: not only is it sparkly, but it is fluffy too.

I had the chance to play with sparkly fluff initially at CHA in January in California. I went to the Our Craft Lounge booth and was able to create a card which was was finished off with cotton candy sparkly fluff. It was nearly as delicious as the color it was named after. It not only gave my card that shimmer with the hint of sparkle, but it gave that raised, soft feel to the card.


The make and take got put in my luggage and the card was unpacked and placed in my stash of CHA stuff in the closet of my craft room. I didn't give it a second thought until late Spring when my friend came over with a few bottles of sparkly fluff. I dug through my craft stash and pulled out a two way glue pen and started sparkly fluffing some projects.








Sparkly Fluff is packaged in a .18 oz (5 g) jar and is really stuffed full of sparkly shimmer!. When you open the bottle, you can actually see the glistening sparkle pieces of glitter.

One of the things about flock to sparkle fluff, it can be messy. I dedicate a clean sheet of printer paper, folded in half to the color I am working with for that particular project. I catch all the excess fluff and put it back in the jar when I am done. I have also learned (the hard way) to put the top back on as soon as I am done "fluffing" up a project to avoid things spilling or falling into the fluff container.

Sparkly fluff is packed very full into the container, so I use a Tonic Studios Tim Holtz Retractable Craft Stick (reviewed by Craft Critique here) to stir up the fluff and move it around in the jar. The stick allows the packed fluff to easily be place on your project.

There are two ways to add sparkly fluff to your project: glue or heat and stick powder. For me, I go the easy route. The easiest (and best method for detailed areas) is using a two way glue pen. Simply draw your glue onto the project. You can also use other types of glue such as red line tape or crystal effects.

After the glue (or heat & stick powder) is applied to the area, you want to quickly add the sparkly fluff before the glue dries. Remember to have your piece of folded scrap paper under your project and simply pour the sparkly fluff in excessive amounts onto the project. The more the merrier I say!

The fluff sticks to the glue pretty well, but sometimes I give it that extra push with a Tonic craft stick and push the fluff around to make sure all areas are covered evenly! You tap the excess fluff off onto your scrap paper and then place it back in your container. If you want to add another color of fluff to your project, make sure your tap your first color off REALLY well. You do not want that first color getting mixed up into your second color on the project.

Wouldn't Halloween projects or holiday cards look adorable with some sparkly fluff? There is a wide variety of colors available and there is endless possibilities for adding fluff to projects.

Sparkly Fluff comes in the following colors:

Punk Purple
Platinum (a silver)
Sugar (a white)
Very Cherry Red (a deep red)
Rockstar Red (a bright red)
Cotton Candy (soft pink)
Rockin' Pink (a bright pink)
24K Gold
Lemon Drop Yellow
Irish Green
Eyeliner Black
Coffee Bean Brown (a dark brown)
Brown Sugar (a light brown)

Baby Boy Blue (a light blue)
Breezy Blue (a bright blue)
Blue-Berry (a deep blue)
Appletini Green (a bright green)
Real Juicy Orange

At around $3 a bottle, it is easy to collect several colors and keep within a budget.

This product is mainly for cards and other three dimensional crafting projects. You can add fluff to ornaments for the holidays, photo frames, and other crafting projects. I would not recommend it for scrapbook pages since most traditional scrapbook pages are in page protectors and you would not be able to touch the product (which is really which gives the product its WOW factor). I would also not recommend this product for items such as bookmarks which are going to get a lot of wear. The fluff could eventually wear off.

Pros:
  • it adds dimension to your project
  • it has big chunks of glitter
  • easy to use, simply add glue
  • comes in a variety of colors
  • did I mention that it sparkles?
  • inexpensive
Cons:
  • it can be messy
  • not good for scrapbook pages since you cannot "touch" the finished project if it is in a page protected album
  • will wear off if item is used often (ie. bookmarks)
  • adding more than one fluff color to a project can be tricky

Although I will not use fluff on a majority of my projects, I will use it often enough to make the purchase worth while. It is a wonderful way to add a little dimension to your cards and other craft projects without breaking the bank! I give Sparkly Fluff two shimmery thumbs up!

Have you used Our Craft Lounge's Sparkly Fluff? Or do you use something else to make your cards fuzzy? Leave us a comment and let us know!

August 24, 2009

Martha Stewart Border Punches by EK Success

Reported by Kristine Fowler


Now I've got a lot (and I mean a lot) of tools in my craft closet, but until very recently I owned only one, yes you read that correctly, only one, craft punch. That one punch, a 1 1/4 inch circle by McGill Craftivity, I bought years ago for a very specific reason and unfortunately once that job was done, the punch sat, mostly unused, aside from perhaps a half dozen times. Sad, I know, but true. Until recently, I felt I could live without more punches since I was under the impression that they were over-priced tools with limited usefuless.

Fast forward....to sometime in the last couple of months. I saw this card, by Maile Belles on the Cards Blog and I was immediately compelled to go on the hunt for a border punch. I thought the card was so simple, yet extremely elegant, and that the scalloped border on the embossed panel was a key element in pulling the whole design together. Although not specifically listed in the card recipe - I decided that a border punch would make this design super simple to replicate...and so, I shopped. Not knowing exactly what I was looking for, or having any real experience with punches, I headed out blindly to see what I could come up with. After about 1/2 an hour, I came home with the Martha Stewart Embossed ZigZag Edge Punch by EK Success.

Now let me tell you a bit about it -- it is probably one of the coolest punches ever (to me anyway, but as I said, I'm not a punch junkie). From the name, you can tell that it does two different things at the same time. It punches and it embosses. How cool is that? Here is a sample of how I used it:

(paper & images (c) CTMH Co.)

I think you can see the embossed edge on this one pretty clearly, and don't ya just love the little holes? I don't know about you, but I think the fancy zig zag does a lot to 'step-up' the basic card design.

Here's another one - although the embossed lines aren't quite so pronounced when you work on lighter weight paper. I used it on only a small section, rather than a span the entire width of the card.


(paper, embellishments, rub-ons & images (c) CTMH Co.)

Probably one of my favorite features of the Martha Stewart border punches is the way cool alignment guide, which enables you to get a perfect continuous punched border. I don't think that this alignment idea is unique to Martha's punches, but it sure is a big help. I took some pictures so that hopefully you can see what I mean.

In this one, I've already punched once, and I'm getting ready to line up against the alignment guide (the silver pattern on the base of the punch) so that I can continue my design:

Here it is all lined up for the second round:

And here I've taken the second slice, pulled out the paper and voila! It's completely lined up resulting in a continuous zig zag. There is absolutely no guesswork here - and I love that!


The other really nice feature is the design of the handle. I found that the punch can either be used with it sitting flat on the table pushing down on the handle, or it's light enough that you can pick it up and punch 'in the air', using your thumb for pressure. How you use the punch would likely be a matter of preference, but for me on the table is just fine.



So, since I like the Embossed Zig Zag so much, I decided to pick up another one of Martha's punches: The Double Scallop. It works essentially the same way, and has the same alignment feature, but only cuts, doesn't emboss.

Here is a sample of what I created with the Double Scallop. This time I used the punch to dress up an otherwise boring bottom panel of a card. I layered the panel tone-on-tone, and sanded the edge of the scallop a bit just to give it some pop. I really love this look.



So what's the bottom line?

Pros:
  • clean cuts each and every time

  • easy to use - doesn't require a great deal of pressure

  • strong enough to punch through a couple of layers at one time

  • easy alignment system for perfect borders everytime

  • no sticking


Cons:

  • a bit pricey for a tool that does only one thing (but I'm over it!)

  • limited availability

  • there is no tray on the bottom of the punch to catch all the little bits -- this can catch you off guard initially, and you can wind up with a mess of teeny tiny little circles all over the place like I did.

I will definitely be adding more Martha Stewart border punches to my tool supply as time goes on - do you use them? Or will you? Leave us a comment and let us know what you think!

{And Maile, if you're reading this -- thanks for enabling me -- even though you surely didn't intend to do so when you created that gorgeous card!}

August 21, 2009

Comparison of Gold Pens

Reported by Sara McKenzie

I am a huge fan of adding just a bit of gold to many of my projects, and for a long time have used one particular brand of gold pen to do just that. But I recently purchased a second brand of pen, and thought it would be worthwhile to do a comparison of them.

So I played around a bit with three different pens, and report on them here:

Krylon Gold Leaf Pen (top) and Prismacolor Gold Metallic Pen (bottom).


Zig "Painty" Gold Metallic Pen

The Krylon Gold Leaf Pen comes in a single size with a large, flat nib. The Prismacolor Metallic Pen comes in two sizes: one with a broad, rounded nib, and one with a fine point. I only had the broad tip to test. The Zip Painty Pen has a fine tip, with gold on one end and silver on the other.

Prismacolor nib on left: Krlyon nib on right.


Zig Painty Pen Gold nib.

All of these pens have a solvent or alcohol-based ink, so they are waterproof, and they work equally well on porous surfaces (paper, cardstock) and nonporous surfaces (plastic, glass). The pens also all work in the same way: you depress the nib a few times to get the ink flowing. You may have to depress it a few times during your project, depending on how much coverage you are trying to get.

Above: Krylon nib completely depressed against cardstock to start the flow of ink.

Below is a comparison of the width of each of the pen strokes:

You can use the Krylon pen in two ways, to get a slightly broader or narrower pen stroke, but I don't find it to be particularly different. I suspect it is because the ink tends to flow a bit when you are laying it down. The nib on the Prismacolor pen yields a line about as wide as the "narrow" use of the Krylon nib.

Above, on the right, I have shown Zig "old" and "new." The old pen is about a year old and has been used; the new pen was brand new, and the ink had not yet been brought to the tip. What you may (or may not!) be able to see is that the "old" pen did not leave a very clean line. I would not be happy trying to use an older pen to draw a fine line. And I could not get it to work any better with repeated depression to bring new ink to the tip. But the new pen is perfect for journaling or other decorative writing.

One of my favorite applications of the gold pen is to edge a piece of cardstock for a card. This provides, in my opinion, just the right amount of "bling" without having to add another layer of gold cardstock to your design. The Zig pen does not lend itself to this, and I have always used the Krylon Gold Leaf pen for this application. I tried the Prismacolor pen to see how it compared:

Hopefully you can see that the Krylon pen resulted in a straight, smooth line, whereas the Prismacolor pen, while pretty good, did not provide a straight edge. The shape of the Krylon nib lends itself best to this application.

With repeated use, though, you will see some damage ultimately done to the Krylon nib. See below for what I mean. I think that the edge of the paper (or cardstock) ends up cutting the end of the nib. It is still usable for the edging application, but it does become increasing harder to get an even edge. I always have a new pen on hand to use for only edging, and then switch it over to other applications when the nib gets too chewed up.

The nib of my well-used Krylon Gold Leaf Pen after repeated use for edging cardstock.

Below is an example of how just a bit of gold edging can dress up a card just the right amount.

Above: A Krylon Gold Leaf Pen was used to edge the white cardstock.

And below is a comparison of the Krylon Gold Leaf Pen (bottom) and the Prismacolor Gold Metallic pen (top) in covering the edge of some Clearsnap Style Stones. There is a slight difference in color, but the quality of coverage and overall metallic effect are pretty equal.

Above: Clearsnap Style Stones colored with Krylon (bottom) and Prismacolor (top).

Below is an application of the Zig Painty pen - this piece is of polymer clay, with a stamp impressed in it, colored with acrylic paint. I wanted to add just a few dots of gold- and the fine Zig tip was perfect for that.

Above: Polymer clay design with a few gold highlights added by the fine-tipped Zig Pen.

Finally, the other application that I love my Krylon pen for is to incorporate it into the "Polished Stone" technique. This is when you apply alcohol inks on a felt applicator to glossy cardstock, and pounce it around to get a beautiful mixing and mottling of the colors. You can leave little "puddles" of gold ink on the cardstock when you start (by depressing the tip and holding it down for a few seconds). Then pounce as usual, and the gold gets moved around the page with the other colors.

Above: "Polished Stone" technique, incorporating ink from my Krylon Gold Leaf Pen.

The Krylon Pens come in 18 Kt Gold, Pale Gold, Silver and Copper. I have only seen the Prismacolor pens in Silver and Gold. And I have seen only the silver and gold combination in the Zig pen.

Summary:

  • The brands all worked well when new and lay down a lovely metallic gold ink.

  • The Krylon is still my favorite for edging as well as laying down larger areas of color.

  • I have had a couple of my Krylon pens for years (literally!), so they last a long time. I suspect the Prismacolor pen will as well, but I don't have the same amount of time invested in them.

  • I was disappointed that the tip of my older Zig pen tended to skip and leave an uneven line. I would buy the fine line Prismacolor pen before I invested in another Zig painty pen.

What about you? Is there a gold pen that you love and I haven't mentioned? Because I'm always up for exploring something new!!

August 20, 2009

Tim Holtz Tiny Attacher by Idea-ology

Reported by Stephanie Wheeler


I love, love, LOVE office products. There's just something about legal pads, envelopes, fine-tipped pens and self-adhesive labels that just makes me want to lock myself in my room and craft for hours. And as much as I love office products, they excite me even more when they are designed with crafting in mind.

Enter the Tim Holtz Tiny Attacher. A handy, compact, and surprisingly powerful hand-held mini stapler. The staples measure a mere .25" - smaller than even the standard "mini" stapler, which makes them perfect for sliding into hard-to-reach places, chomping through layers of cardstock and paper flowers, and tacking bits of ribbon.
The stapler itself is quite the tool. Just from picking it up, I could tell that it was made of quality metal that would not easily bend or break. The grip is one of my favorite aspects. Because it is a grip stapler as opposed to a common stapler, it's perfect for securing embellishments, etc., that might otherwise slip out.

The Tiny Attacher is strong enough to staple through ribbon and cardstock...


chipboard....



and is perfect for securing layered embellishments like paper flowers.


I have been anticipating a specialty mini craft stapler for quite a while, and I must say Tim Holtz hit the nail on the head with this one. It's the best of both worlds - a strong, sturdy stapler that is also very practical for many types of crafting. It's extremely easy to use and refill, and will be a "staple" in my paper crafting arsenal for years to come.


Pros:
  • Can staple through several layers - including paper, chipboard and fabric.

  • Becoming readily available in retail craft stores.

  • Because of its design, stapler does not slide while positioning.

  • Perfect for securing ribbon and small bits to pages and projects.

Cons:
  • Because of its custom size, refill staples are only available through the Tim Holtz line.

  • Stapler tends to jam, especially if using partial refills, also because the staples are fairly thin and are prone to bend.

  • I'm a big fan of the long-reach stapler, so sometimes I wish the Tiny Attacher could reach a little further.
  • The stapler is tightly spring-loaded, and when opened, can sometimes shoot any loose staples out of the cartridge.

The Tim Holtz Tiny Attacher retails for around $15.99 which includes one box of 100 staples; refill boxes of 1,550 staples retail for $2.99. It may seem like a steep price for a scrapbooking tool, but I find myself using it over and over again, and you've got to admit, it's cheaper than adhesive!

Have you been waiting for the perfect craft stapler? What do you think of the Tiny Attacher?