Tag Archives | cardstock

White Card Stock Comparison

Reported by Taylor Usry

There are so many options out there for white card stock! With the popularity of both clean and simple (CAS) cards, as well as detailed images that can be colored with markers or any other coloring medium, choosing the right white for your project can get tricky. Today I’m going to show you how different techniques work on several popular white card stocks – Neenah Solar White, Papertrey Ink Stamper’s Select, Stampin Up!’Stampin’ Ups Whisper White, Bazzill’s Prismatics Textured White, Mohawk‘s Color Copy 98 Bright White, and Georgia Pacific‘s White card stock.

Here is a quick overview of each card stock:

  • Neenah Solar White: 80# weight, acid-free, ultra-smooth finish; widely available in packs of 25, or by the ream, online
  • Papertrey Ink’s Stamper’s Select: 110# weight; only available in packs of 40 sheets through their website
  • Stampin’ Up’s Whisper White: 80# weight; only available in packs of 40 sheets through a demonstrator
  • Bazzill’s Prismatics Textured White: 70# weight, textured on one side and smooth on the other; available online
  • Mohawk’s Color Copy 98 Bright White: 100# weight, acid-free; available by the ream or large pack online
  • Georgia Pacific’s White: 110# weight; available in large packs online and in retail stores such as WalMart, Staples, etc

The Neenah, Mohawk, and Stampin’ Up card stocks have the smoothest, glossy-type finish. Papertrey ink is also incredibly smooth, but it isn’t quite as glossy. Bazzill’s Prismatics has one textured side (in a mottled, orange peel finish) and one flat side (but not smooth and glossy to the touch). Georgia Pacific’s card stock is just flat. In terms of weight, although Stampin’ Up’s card stock is 80#, it feels much flimsier than Neenah’s. And while the Georgia Pacific is purported to be 110#, it feels flimsy as well. I don’t particularly advocate using either the Stampin’ Up or the Georgia Pacific as a card base. All of the others are quite sturdy and thick.  

All of the card stocks work well when used with a paper punch (here, a Martha Stewart one). I did notice that the Georgia Pacific card stock did not punch as cleanly as the others did. Some edges needed filing or smoothing several times, both when using an edge punch and a standard shaped punch.

Next I cut each image out using a different Spellbinder’s Nestabilites die, and left the card stock plain inside each one to do some sponging using Tim Holtz ink.. The smooth finish on the Neenah, Mohawk, and Papertrey Ink card stock provided the best surface for the blended sponging effect. Stampin’ Up’s card stock also has a smooth surface, but I don’t think the ink blended as well. I like the way the sponging turned out on the textured card stock by Bazzill as well, but again it is not a smooth finish. It still blends well, though. The Georgia Pacific does an okay job – but just okay. I found that the ink didn’t want to blend as easily as with the others, so the changes in colors were more noticeable. As you can see, the Neenah card stock took the ink really well; it is the darkest of all. I sponged each piece exactly the same, to demonstrate the variations of the inks once they’d been applied.

On these I partially colored a variety of Stampendous images with Copics. All images were stamped in Memento Tuxedo Black ink and had fifteen minutes of drying time, but were not heat-set. Stampin’ Up’s Whisper White is not at all suitable for coloring with Copics – it doesn’t blend. Georgia Pacific’s card stock is mediocre – it blends alright, but occasionally you can see streaks, and the lines between colors can be harsh. Papertrey Ink, Mohawk (which is not pictured above, but you will see it in a minute – stick with me!) and Neenah’s card stocks have an excellent surface for Copic coloring, and all blend beautifully. The Bazzill Prismatics also colors gorgeously, but I noticed a bit more bleeding (that could be due to not heat-setting my ink, but I didn’t do that on purpose).  In my opinion, the Papertrey Ink is such a heavy weight that is sucks up lots of Copic ink, which then necessitates quicker refills.

Lastly, I stamped some solid images on each card stock (using acrylic stamps from Sweet ‘n Sassy Stamps and Tim Holtz ink), to see what kind of coverage I got. The only one I was underwhelmed with was the Georgia Pacific card stock. Bazzill’s Prismatics stamp better on the smooth side than the textured side; you can see the mottled look the textured side gives. The others all have a smooth finish and take ink very well. Drying time varies a bit with each card stock, but none took longer than five minutes. Again, the Neenah card stock had a darker color than all the other smooth card stocks.

On this sample, I colored that Stampendous image using Copics on the Mohawk card stock. The base and embossed layer are Papertrey Ink. All of the card stocks emboss equally as well. For me, the Papertrey Ink provides the strongest base. It is not flimsy at all, and you can add as many layers or heavy embellishments as you want.

I also ran a few sheets through my printer, to see how well they worked with digital images and papers. I have an HP inkjet printer. The Papertrey Ink card stock was too thick to consistently go through my printer – they had quite an argument. The Neenah, Mohawk, Georgia Pacific, Bazzill Prismatics, and Stampin’ Up all fed through just fine, and worked great for digi images. The smooth-finish card stocks (not the Georgia Pacific or Bazzill Prismatics) worked better for printing digital paper on (*tip: run it through twice, to create your own double-sided patterned paper!).

What card stock is your favorite for coloring on? Do you use it for rubber stamping, printing and coloring digital images, or scrapbooking? I’d love to hear your thoughts and suggestions!

Cardstock Comparison

Reported by: Erin Bassett
With so many brands of premium cardstock out on the market now, I thought it would be nice to really look closely at some of the major brands and see if there was any big differences between them.
I decided to compare the ones I use most often: American Crafts, Bazzill, and Stampin’ Up. Here’s some of the similarities and differences you’ll find when purchasing them. You can download the chart below here:
Since I’m comparing them using the stash I have on hand, I don’t have all of the same textures for them. So, I was curious to see if that would play a part in my testing. I used the “orange peel” textured Bazzill cardstock, the “smooth” Stampin’ Up cardstock and the only texture that the American Crafts cardstock comes in (which is similar to a canvas texture).
Now as far as actual use goes, I didn’t really notice any major differences between them when I cut out some die cuts with my Cricut. I cut out the same shapes using the same settings and they all cut out about the same….not really a surprise since they are all the same weight of cardstock. (Although the Stampin’ Up cardstock seems a bit stiffer then the others.)
I also tested how Copic markers would work on them. As expected, I didn’t notice a difference.
One other test I preformed on the cardstocks is how well they folded. Nothing ticks me off more then paper that cracks when it’s folded. -It can make cards and other paper crafts look a bit tacky. Well, I’m happy to report that none of these cardstocks did that!!
Basically I think one’s choice between these cardstocks would boil down to the color and texture of cardstock needed for a craft project and how much it costs.
  • American Crafts cardstock tends be the most inexpensive
  • Bazzill cardstock has a huge variety of colors and textures
  • Stampin Up has smooth cardstock that is perfect for stamping on
  • All three cardstocks preformed about the same
  • All three cardstocks are available for purchase online.
  • With so many great papers you may run out of space!
Do YOU have a favorite cardstock? Tell us what it is and why it’s your favorite.
Click on the link at the top of the page to visit Craft Critique for comments, giveaways and more!

Cardstock Comparison

Reported by Taylor Usry

Everyone loves cardstock! It is definitely a product I cannot get enough of, and I am always interested in comparing different types, colors, textures, styles, and weights. I have found such a terrific variety of cardstock available to purchase, and thought I’d share a little about them. Pictured above are samples of Prism’s Prismatics textured cardstock, Stampin’ Up’s line of cardstock, Bazzill textured cardstock, and Georgia Pacific White cardstock (the kind you can buy at Walmart). Here are some basic facts about these samples:

  • Prismatics – 70# weight, available in a wide variety of colors, textured on one side, smooth on the other, can be purchased at a number of online and retail stores.
  • Stampin’ Up – 80# weight, available in four color families with matching ink, as well as specialty colors, can only be purchased through a demonstrator.
  • Bazzill – 65# – 80# weight, available in a large variety of colors and textures, can be purchased online or at retail stores.
  • Georgia Pacific White – 110# weight, available in large packs, can be purchased at Walmart or other office stores.

Not pictured above:

  • Coredinations Chocolate Box – 80# weight, available in individual sheets or coordinating packs at retail and online stores, has a gauze like texture and is multi-colored with a white core that is perfect for sanding and distressing.
  • Neenah Solar White — 80# weight, available in packs of 25 sheets from both online and retail stores.
  • Papertrey Ink Stamper’s Select – weight 110#, available in packs of 40 sheets from PapertreyInk.

These are a small sampling of neutral cardstock colors and how certain effects look when applied to them. Each piece of cardstock was sponged with Tim Holtz Ranger Distress Ink, distressed with a distressing tool, and punched with a Martha Stewart edge punch. Additionally, I used a Copic marker to color a small square on each one to illustrate the different finishes on each sample. Stampin Up’s Whisper White and Georgia Pacific’s white do not take to Copic coloring well at all. The Prismatics sample looks a little rough but that is because I colored on the textured side – when Copics are used on the smooth side it is absolutely flawless. The Bazzill textured stock takes coloring well, however you can see the grain of the texture through the marker. The Georgia Pacific white did not punch as smoothly as the other cardstock, and left a rougher edge in the design.

This darling digital paper, A Little Love by Lizzie Anne Designs, was printed on Stampin’ Up’s Whisper White. In my opinion it does a wonderful job for printing paper. I have used Georgia Pacific in a pinch, and the designs come out grainy. I have not tried printing on any textured cardstock, since I just don’t think the texture would work well for printing. I did not have any on hand, but the Papertrey Ink cardstock (in white) is also excellent for printing digital paper. If you’ve tried a different cardstock, I’d love to hear the results of your experiments! What works? What doesn’t?

My sample above is made with all Prismatics cardstock. The colors I used were: Spring Willow Medium (G431-D), Suede Brown Medium (BR291-D), and White. I stamped my sentiment with Tim Holtz Ranger Disress Ink, and made the mistake of not heat setting it. It smudged (it takes awhile to dry on this paper if it isn’t heat set) so I sponged the entire panel as opposed to just the edges. I think the texture is gorgeous and lends itself well to simple cards. One of my favorite little bonuses about this cardstock is that it does not curl up or warp when you use a heat gun on it, either for embossing or just to heat set some ink.

This small love note features Bazzill cardstock that is available in a custom pack from Lizzie Anne Designs (they call it their French Floral pack). Their website provides an excellent close up picture of the texture on this cardstock. The colors I used were Juicy Plum and Moss. The textures of the Bazzill are much different than the texture of the Prismatics – Bazzill has a weave (sort of gauze-like), or stripes where Prism just has a texture, almost a bumpy look to it. I personally am not a huge fan of the Bazzill – I like it mostly for layers and small notes like this one. It just seems a bit to thin as a card base for me.

My last sample uses all Stampin’ Up cardstock. Two of the colors (Groovy Guava and Soft Sky) are no longer available; the Basic Black and Whisper White can be purchased through a demonstrator. One advantage to Stampin’ Up is their built-in color coordination – my ribbon was also made by them and matches the Guava perfectly. As far as stamping goes, the Whisper White takes color amazingly well for both line art images and solid images. It is difficult to color on though – no matter what media is used. Their colored cardstock is solid core and very heavyweight. Cards hold up with lots of embellishments, which is nice.

So that wraps it up for what I have to share with you today! I’d love to hear about your cardstock adventures (successes and mishaps!). Please leave a comment and let me know what your favorites (or non-favorites) are!

Click on the link at the top of the page to visit Craft Critique for comments, giveaways and more!